A l'époque des Sengokujidai sous l’

A l'époque des Sengokujidai sous l’ère Muromachi, le Japon est marqué par d’incessants conflits. C’est dans ce contexte de violence que de nombreux ninja sont formés à travers le pays. Dans l'anonymat de cette marée d’apprentis guerriers, Kyoteru doit faire face aux brimades de ses camarades. De tous les talents physiques que requiert sa destinée ninja, le jeune garçon n’en maîtrise aucun. Ses piètres performances à l’entraînement en font la risée de son clan, au grand désarroi de son père Bashô. Afin de retrouver une certaine fierté aux yeux de celui-ci et de prouver sa valeur, le jeune garçon se lance seul dans une mission des plus périlleuses. Heureusement, il peut compter sur le soutien inconditionnel de Kageko, sa petite sœur avec laquelle il partage un lien aussi puissant qu’étrange.

Dans les années 90, le petit Kyoteru, victime de racket, se pend à l’arbre de son jardin. Depuis, l’arbre n’a plus jamais redonné de feuilles. Inspiré par ce fait divers tragique, Jung et sa femme Jee-Yun imaginent cette histoire d’enfants ninjas dans un Japon féodal. Après Kwaïdan et Okiya, le couple d'origine coréenne continue d’alimenter le catalogue Delcourt avec cette nouvelle série publié dans la Collection Terres de Légendes.

Situé au Japon médiéval, le récit de Jee-Yun se nourrit des codes, des valeurs et d’une terminologie d’époque. Un contexte historique riche dont la violence contraste énormément avec la jeunesse des personnages mis en scène. Si l’histoire invite surtout à suivre les pas de ce souffre-douleur accablé par la honte qu’il fait rejaillir sur son père, c’est bel et bien la petite Kageko qui constitue l’intérêt principal de ce premier volet. Cette enfant de l’ombre (kage = ombre/ ko = enfant) donne non seulement le titre de cet album, mais, à travers son mutisme, elle affiche également cette volonté à ne pas vouloir s’associer à la cruauté du monde des adultes. Tout en incarnant l’espièglerie et l’innocence des enfants, Kageko s’isole ainsi de la réalité et crée son propre univers. De la sorte, cette héroïne hors du commun constitue le lien avec la part surnaturelle du récit et maintient l’équilibre entre le côté historique et les nombreux éléments fantastiques.

Graphiquement, Jung donne vie à une galerie de personnages très attachants, emmenés par un ninja blanc des plus intrigants. Le décorum soigné facilite également l'immersion dans cet univers historico-fantastique asiatique. Si cette mise en bouche contient des passages amusants (l’infiltration de Kyoteru dans le château de Sozen Yamada) et offre un regard intéressant sur le Japon d’antan, à travers les yeux d’enfants, l’intrigue a cependant encore du mal à totalement convaincre.

결과 (영어) 1:

At the time of the Emlounge under the era Muromachi, the Japan is marked by incessant conflicts. It is in this context of violence that many ninja are trained through the country. In the anonymity of this tide of warriors apprentices, Kyoteru must cope with the bullying of his classmates. Of all the talents physical that requires his ninja destiny, the young boy is master none. Its poor performance in training make the laughingstock of his clan, to the dismay of his father Basho. In order to regain some pride in the eyes of it and prove his worth, the boy only launches in a more perilous mission. Fortunately, he can count on the unconditional support of Kageko, little sister with whom he shares a strange as powerful link. In the 1990s, the small Kyoteru, victim of racketeering, hangs on the tree in his garden. Since then, the tree gave never leaves. Inspired by the various tragic fact, Jung and his wife Jee - Yun imagine this story of children ninjas in a feudal Japan. After Kwaidan and Oikya, the couple of Korean origin continues to feed the Delcourt catalogue with this new series published in the Collection land of legends.Located in the medieval Japan, the story of Jee - Yun feeds codes, values and terminology of time. A rich historical context which violence contrasts greatly with the youth of the characters. History invites especially to follow this Drudge overwhelmed by shame that does not reflect them on his father, if indeed the small Kageko which constitutes the main interest of this first installment. This child of the shadow (kage = shadow / KB = child) gives only the title of this album, but, through his silence, it also displays this desire to not want to associate with the cruelty of the adult world. While embodying the playfulness and innocence of children, Kageko thus isolates himself from reality and creates his own universe. So, this heroin out of the ordinary is the link with the supernatural part of the story and maintains the balance between the historical side and many fantastic elements.Graphically, Jung brings life to a gallery of very endearing characters, led by a white ninja's most intriguing. The careful decorum also facilitates immersion in this Asian historico-fantasy universe. If this placing in the mouth contains fun passages (Kyoteru infiltration in the castle of Sözen Yamada) and offers an interesting look on the past Japan through the eyes of children, the plot is however still struggling to completely convince.

결과 (영어) 2:

At the time of Sengokujidai under Muromachi period, Japan is marked by incessant conflicts. It is in this context of violence that many ninja are trained across the country. In the anonymity of this tide of warriors apprentices Kyoteru faces bullying of his classmates. Of all the physical talents that requires ninja destiny, the boy did not control. His poor performance in training makes a laughing stock of his clan, to the dismay of his father Basho. In order to regain some pride in the eyes of it and prove its value, the boy embarks alone in a most dangerous mission. Thankfully, he can count on the unconditional support of Kageko, his little sister with whom he shares a powerful bond strange. In the 90s, the small Kyoteru, racketeering victim, hangs on the tree in his garden. Since the tree was never restored leaves. Inspired by this tragic event, his wife and Jung Jee-Yun imagine this children's story ninja in feudal Japan. After Kwaidan and Okiya, the Korean pair continues to fuel the Delcourt catalog with this new series published in the Lands of Legends Collection. Set in medieval Japan, Jee-Yun story feeds codes, values ​​and a period terminology. A rich historical context in which violence in stark contrast to the youth of the characters portrayed. If history invites especially to follow the footsteps of this scapegoat overwhelmed by the shame he brought great his father is indeed the small Kageko which is the main interest of this first part. This child shade (shadow kage = / ko = child) gives not only the title of this album, but through his silence, it also displays the will to not want to be associated with the cruelty of the adult world . While embodying the playfulness and innocence of children, Kageko is thus isolated from reality and creates its own universe. Thus, this heroine unusual is the link with the supernatural part of the story and maintains the balance between the historical side and the many fantastic elements. Graphically, Jung gives life to a very endearing cast of characters, led by a ninja white of the most intriguing. The careful decorum also facilitates immersion in this Asian historical-fantasy universe. If this appetizer contains amusing passages (infiltration Kyoteru in Castle Sozen Yamada) and offers an interesting look at Japan of yesteryear, through the eyes of children, the plot has yet again hurt to totally convince.

결과 (영어) 3:

at the time of the sengokujidai in the muromachi era, japan was marked by constant conflict. it is in this context of violence that many ninja are formed across the country. the anonymity of the tide of the junior warriors, kyoteru must deal with bullying his classmates. all that requires physical skills for the boy's ninja master.the poor performance in practice is the joke of his clan, to the dismay of his father bashô. in order to regain some pride in it, and to prove its value, the boy took it upon himself in a perilous mission. fortunately, we can count on the full support of kageko.his sister, with whom he shares a bond as strong as strange. "in the 1990s, the small kyoteru, victim of extortion, hangs on the tree in his yard. since then, the tree was never made of leaves. inspired by the tragic, jung and his wife lee yun are the story of a child in feudal japan, ninja. after kwaïdan and okiya.the couple of korean origin continues to fuel the catalogue delcourt with this new series, published in the collection of the land of legends. "in medieval japan, the story of jee yun is a code of values and used time. a rich historical background of violence in stark contrast to the youth of the persons involved.if the story on to follow in the footsteps of the target with the shame that he brought to his father, he is the little kageko is the focus of the first part. the children of the shadow (shadow / kb = storage = child) is not only the title of the album, but in silence.it also has the desire to not wanting to join the cruelty of the world. while embodying the playfulness and the innocence of children, and kageko isolation from reality and create his own universe. in this way,the heroin out of the ordinary is the link with the supernatural story, and maintains the balance between the historical and the many fantastic elements. "graphically, jung gave life to a gallery of characters very endearing, led by a white ninja of the lot. the traditional treatment is also immersed in the world of asian historical fantasy.if the application contains passages that mouth, the infiltration of the castle kyoteru sozen yamada) and offers a fascinating look at the japan of the past, through the eyes of children, it has still not completely convinced.