Dans Le Roi des Aulnes, Michel Tour

Dans Le Roi des Aulnes, Michel Tournier réécrit le mythe d'Ogre. Sa pratique de la réécriture qui dépend d'un autre texte est liée diverses stratégies intertextulles. Nous essayons de rechercher l'écriture intertextulle qui concerne un travail d'emprunt et de transformation de plusieurs textes.
D'après la théorie intertextuelle, nous tentons de mettre en lumière les caractères intertextuels qui sont l’hypertextualité, l’intertextualité et la paratextualité. L’hypertextualité est une relation qui unit un texte B(hypertexte) à un texte antérieur A(hypotexte). Le mythe d’ogre de la ballade de Goethe qui est l’hypotexte a repris dans Le Roi des Aulnes qui est hypertexte. L'intertextualité désigne la présence d'un texte dans un autre texte. Cette insertion intertextuelle prend des formes très variéés qui vont de la citation explicite jusqu'à l'allusion. Les éléments paratextuels se représentent par le titre, les titres de parties, le notes et les épigraphes. Ils soulignent l'ampleurs et la diversité des cadres que l'auteur cherche à donner à son roman.
Les sources intertextuelles, le poème de Goethe et la légende de Saint Christophe sont incorporées comme modèles inversés et complémentaires du destin de Tiffauge. Les deux thèmes principaux de l'ogre et de la phorie se répètent sous des trais allégoriques et se représentent par un procédé musical qui renvoit à l'Art de la Fugue. Le rythme de la répétition d'une réécriture transpose la musique de Bach dans Le Roi des Aulnes.
A travers l’inversion maligne et bénigne, Tiffauges métamorphose en roi mage paradoxal, portant l'enfant et suivant l'étoile. Le Roi des Aulnes ravisseur devient à la fin du roman homme de tourbe ayant enfin trouvé l'éternité et la paix dans la mort. Par là Tournier réussit à montrer une nouvelle version de la légende du Roi des Aulnes.
Ainsi Tournier utilise les sources intertextuelles pour réécrire des mythes et abouit à créer une nouvelle création.

결과 (영어) 1:

In the King of the Alders, Michel Tournier rewrites the myth of Ogre. His practice of rewriting that depends on another text relates intertextulles strategies. We try to find intertextulle writing that relates to a work borrowing and transformation of several texts. According the intertextual theory, we try to highlight the intertextual characters which are the hypertextuality, Intertextuality, and the paratextuality. The hypertextuality is a relationship between a B (hypertext) text to an earlier text (hypotexte). The myth of ogre of the Goethe ballad that is the hypotexte resumed in the Alder King which is Hypertext. Intertextuality refers to the presence of a text in another text. This Intertextual insertion takes forms very diverse ranging from the quote explicit until the allusion. Paratextual elements represent by the title, the titles of parts, the notes and epigraphs. They emphasize the magnitude and diversity of the framework that the author seeks to give to his novel. Intertextual sources, Goethe's poem and the legend of Saint Christopher are incorporated as inverse and complementary to the fate of Tiffauge models. The two main themes of the ogre and the Phoria repeating under the trais allegorical and represent a musical process which refers to the Art of the Fugue. The rhythm of repetition of a rewrite transposes Bach's music in Le Roi des Aulnes. Through the inversion malignant and benign, Tiffauges metamorphosis into paradoxical mage King, carrying the child and following the star. The King of abducting Alder becomes at the end of the novel man of peat finally found peace and eternity in death. By Tournier was able to show a new version of the legend of the King of the Alders. Thus Tournier uses the intertextual sources to rewrite myths and abouit to create a new creation.

결과 (영어) 2:

In The Erl King, Michel Tournier rewrites the myth of Ogre. His practice of rewriting that depends another text is linked intertextulles various strategies. We try to seek intertextulle writing regarding a debt work and transformation of several texts.
According intertextual theory, we try to highlight the intertextual characters that are the 'hypertext, the' intertextuality and paratextuality . The 'hypertext is a relationship between a text B (hypertext) to a previous text A (hypotext). The myth of 'ogre of Goethe's ballad that is' hypotext resumed in the Erl King is hypertext. Intertextuality refers to the presence of a text in another text. This intertextual insertion takes forms very varied, ranging from explicit reference to the hint. The elements represent paratextual by the title, the titles of the parties, the notes and epigraphs. They stress the magnitudes and diversity executives that the author seeks to give his novel. The intertextual sources, Goethe's poem and the legend of St. Christopher are incorporated as inverted and complementary models of Tiffauge destiny. The two main themes of the ogre and phoria repeat as allegorical trais and represent a musical process that returns to the Art of Fugue. The rate of repetition of rewriting transposes the music of Bach in the Erl King. Through the 'malignant and benign inversion, Tiffauges metamorphosis paradoxical mage king, carrying the child and following the star. The King of Alders kidnapper becomes the end of the novel peat man who finally found eternity and peace in death. Tournier thereby succeeds in showing a new version of the legend of the Erl King. Thus Tournier uses intertextual sources to rewrite the myths and abouit create a new creation.

결과 (영어) 3:

the king of michel tournier rewrote the myth of alder, ogre. the practice of rewriting, which is related to a variety of strategies intertextulles text. we are trying to seek for a job writing intertextulle borrowing and transformation of a number of texts. according to the theory of intertextual.we highlight the features that are intertextuels hypertextualité, intertextuality and paratextualité. the hypertextualité is a relationship between a text to a prior text, hypertext mark up language () (hypotexte). the myth, the ballad of goethe, who was the king of hypotexte resumed in the alder's hypertext.the intertextuality refers to the presence of a text into another text. this insertion is highly intertextual variéés ranging from explicit citation to the reference. the elements paratextuels is the title, the title of the notes and epigraphers. they highlight the scale and diversity of management and the author attempts to give the novel.
the sources intertextuelles, poem by goethe and the legend of st. christopher are included as additional inverse models and the fate of tiffauge. the two main themes of the ogre and the phorie occur in milk are allegorical and process music refers to the art of the fugue.the rate of repetition of rewriting transposes bach's music in the king of the alder trees. through the reverse transformation in malignant and benign tiffauges paradox, wise man with the baby, and according to the star. the man became king of plants at the end of the novel has finally found the man of peat after the peace of the dead.in tournier is able to show a new version of the legend of king of alders. the sources and uses intertextuelles jacobus to rewrite the myths and create a new abouit.